The most useful thing one can say about Al Madar's organisation is that it is organised the way a workshop is organised: by what is being made, and by whom. There is no head office in the corporate sense — there is the Al Quoz building, where the directors keep their drawing tables, and there is the yard behind it, where the joinery is done. The disciplines below are listed in the order one would encounter them on a walk through the yard, beginning at the gate.
i. Civil works.
The oldest of the trades, and still the largest by headcount. Foundations, structural concrete, structural steel, façade substructure. Civil is where the firm trains its young engineers — every graduate hire spends their first two years here regardless of what they were hired for. The argument is that a person who has poured a raft cannot, afterward, be lazy about a screw fixing. The argument has held.
ii. Fit-out.
The second wing, and the one that has grown most quickly since 2009. Fit-out is where buildings become rooms — where the empty shell is given its joinery, its lighting, its acoustic ceilings, its working bathrooms. It is a discipline of millimetres, and it is the firm's largest source of repeat work: a hospitality client who has commissioned one fit-out generally returns within thirty months for the next.1
iii. Decorative finishes.
The smallest wing in headcount and the largest in pride. Twelve people, all of them senior, several of them trained in Florence and one in Aleppo. They produce, in-house, the gypsum cornices, the plaster ornamentation, the gilt, the marquetry inlay, and the venetian-plaster walls that the firm's hospitality and cultural clients increasingly specify by name. They are the only such team in the U.A.E. that operates as a permanent in-house atelier rather than a subcontracted import.
iv. Hospitality interiors.
A discipline that is, in practice, the synthesis of fit-out and decorative — but with the additional discipline of operating around a working hotel. Half of the firm's hospitality contracts are renovations of properties that remain partially open for guests. The wing has its own night-shift roster, its own dust-control protocol, and its own acoustic team. It is the wing of which the firm is, quietly, the most proud.
v. Cultural projects.
Museums, galleries, civic libraries, heritage pavilions. Always a small portion of revenue, never less than five percent. The firm treats cultural work as the discipline that keeps the other disciplines honest: a museum vitrine has a tolerance, in the firm's specifications, of 0.4 mm. Once a team has worked to that tolerance, they do not happily return to a tolerance of three.
vi. Infrastructure.
The wing that operates outside the building line. Roadworks, marine works, utility tunnelling, occasional aviation taxiway repair. It is the most cyclical of the disciplines and the one most exposed to public-sector procurement; the firm has held continuous Class-1 government certification since 1992.2
These six wings have not been added on the consultants' advice. They have been added, one at a time, in response to a particular project the firm did not wish to subcontract. Decorative finishes, for instance, was begun in 1991 because a hotel ballroom in Abu Dhabi had been let down by an imported Italian plasterer; the firm hired the man's apprentice and built the wing around him. The apprentice retired in 2017. The wing he founded now employs his grand-students.